Kling 3 prompt guide: fashion prompts that work

6 rules for a Kling 3 prompt

1. 1.Start with the person and the action

   Put who is in the shot and what they do first; camera and light go in the middle, sound at the end.

   “A man in his early fifties of Iranian heritage ... walks between two rows of parked cars in an underground garage toward the camera.”

2. 2.Name every garment by fabric and colour

   Fabric tells the model how a piece moves and catches light.

   “a royal-blue (#1338BE) satin shirt with an oversized pointed collar buttoned to the neck”

3. 3.Give every highlight a cause

   Say which light makes which shine, so it lands where you expect.

   “a row of cold fluorescent tubes overhead, each one sliding a bright highlight down the satin”

4. 4.One camera move per clip

   Pick one move and the lens.

   “35mm lens, one slow backward tracking move at his walking pace”

5. 5.Show it with the body

   A hand on a collar or a button says more than an adjective.

   “halfway he slows and straightens his collar with both hands, then walks on”

6. 6.Write the sound and the last frame

   Kling 3 makes native audio: say what is heard, then the frame the clip should stop on.

   “Final image: he stops at waist-up under one tube, the collar crisp”

Prompts to copy

Each video prompt follows the rules above, in the same order. Next to it: the settings it is written for and the credits it costs on Reviral.

1. 1. Royal-blue satin shirt in a parking garage

   6 s · 720p · 16:9 · 60 credits

   A man in his early fifties of Iranian heritage with olive skin, a thick black moustache and slicked-back grey hair walks between two rows of parked cars in an underground garage toward the camera. He wears a royal-blue (#1338BE) satin shirt with an oversized pointed collar buttoned to the neck, tucked into high-waisted lipstick-red (#C8102E) wool trousers, white leather platform loafers. The satin ripples with each stride and flashes under every ceiling light he passes; halfway he slows and straightens his collar with both hands, then walks on, face still, eyes on the lens. Camera: 35mm lens, one slow backward tracking move at his walking pace, full body to waist-up. Light: a row of cold fluorescent tubes overhead, each one sliding a bright highlight down the satin, the painted concrete floor shining under them. Sound: his loafers echoing on concrete, a distant car door, the hum of the tubes. Final image: he stops at waist-up under one tube, the collar crisp, the garage dark behind him.

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2. 2. Corduroy suit leaving a diner booth

   6 s · 720p · 16:9 · 60 credits

   A man in his early seventies of Nigerian heritage with deep brown skin, a short white beard and round tortoiseshell glasses slides out of a red vinyl diner booth, stands and walks toward the camera along the counter. He wears a tobacco-brown (#6B3E1E) wide-wale corduroy suit with a fitted jacket and high-waisted flared trousers, a mustard (#D9A21B) shirt with a long pointed collar spread over the lapels, brown leather ankle boots with a stacked heel. As he stands the flares fall straight and the collar points settle on the lapels; he buttons the jacket with one hand as he walks, face deadpan, eyes on the lens. Camera: 50mm lens, one slow push-in from full body to waist-up. Light: warm pendant lamps over the counter make a shine along each ridge of the corduroy, the chrome counter edge reflects the mustard. Sound: the vinyl squeak as he slides out, a coffee cup set down, his heels on the tiled floor. Final image: he stands waist-up, the jacket buttoned, a pendant lamp glowing behind his shoulder.

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3. 3. Pink bow blouse in an empty arcade

   6 s · 720p · 16:9 · 60 credits

   A woman in her mid-thirties of Korean heritage with fair skin, a jet-black chin-length bob with a blunt fringe and black winged eyeliner walks slowly down the aisle of an empty arcade between rows of glowing game cabinets, toward the camera. She wears a baby-pink (#F4C2D0) satin blouse with a large pussy bow tied at the throat, high-waisted powder-blue (#A9CCE3) flared trousers, white platform sandals. The screens on both sides flicker and change colour, so the satin shifts from pink to violet to green as she passes; she touches the bow once with her right hand, face still, eyes on the lens. Camera: 85mm lens, one slow backward dolly, waist-up to head and shoulders. Light: only the cabinet screens, coloured and moving, lighting her from both sides. Sound: chiptune loops from the cabinets, her sandals on the carpet, a coin dropping somewhere. Final image: her face and the pink bow fill the frame, lit green by the nearest screen.

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